Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Cristiano Banti
Paesana toscana

ID: 90889

Cristiano Banti Paesana toscana
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Cristiano Banti Paesana toscana


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Cristiano Banti

Italy (Santa Croce Sull'arno 1824-Montemurlo 1904 ) - Painter  Related Paintings of Cristiano Banti :. | Myth of Prometheus | Portrait de don Juan Mateos (df02) | Juan de Pareja (detail) (df01) | Classical hunting fox, Equestrian and Beautiful Horses, 176. | The deluge |
Related Artists:
Jules Elie Delaunay
Nantes 1828 - Paris 1891. French Neoclassical Painter. Studied under Hippolyte Flandrin. French Neoclassical Painter. Studied under Hippolyte Flandrin. French painter. He entered the Ecole des Beaux-Arts in Paris on 7 April 1848, where he was a pupil of Joachim Sotta (1810-77), Hippolyte Flandrin and Louis Lamothe (1822-69). He became a disciple of Flandrin, and, though making his debut in the Salon in 1853 with the Saltworkers of Guerande (Nantes, Mus. B.-A.), he soon concentrated on history painting. In 1856 he won the Prix de Rome with the Return of the Young Tobias (Paris, Ecole N. Sup. B.-A.) and left Paris to study at the Academie de France in Rome. His work is imbued with a deep religious sentiment cast in the restrained, controlled style and formal repertoire of Neo-classicism. From early in his career he produced many easel and wall paintings on religious subjects, such as Jesus Healing the Lepers (1850; Le Croisic,). In 1854 he received a commission to produce four fresco decorations for the church of the monastery of the Visitation-Ste-Marie in Nantes, which he completed the following year. In 1865 he returned to the monastery to decorate the chapel of St-Francois de Sales with scenes from that saint's life.
PLEYDENWURFF, Hans
German Northern Renaissance Painter, 1420-1472
LEYSTER, Judith
Dutch Baroque Era Painter, 1609-1660 Dutch painter. A brewer's daughter, she had gained membership in the Haarlem painters' guild by age 24. Many of her known works, primarily portraits, genre paintings, and still lifes, were formerly attributed to her male contemporaries. Though the influence of Frans Hals is clear, she was also interested in the Baroque style of the Utrecht school. She embraced a greater range of subjects than other Dutch painters of the era






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